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Lettering is not type
Stephen Coles offers clear definitions for commonly abused terms and elaborates on the differences between type and lettering, a typographer and a type designer, and a typeface and a font.
Big Caslon
An expansion of Matthew Carter’s classic display serif into a three-weight family with striking italics and a host of flavorful features. Big Caslon Brochure
Input update
Input 1.1: David Jonathan Ross’s elegant font for coding has new characters that users have asked for.
Input in use for the Feltron Annual Report
“It’s definitely the typeface I was searching for”: Nicholas Felton found Input to be the perfect choice for a hard-hitting presentation of raw data.
Input: fonts for code
Input is a flexible system of fonts designed specifically for code by David Jonathan Ross. It offers both monospaced and proportional fonts, all with a large range of widths, weights, and styles for rich code formatting.
Two New Sites:
Celebrating the work of David Berlow and showcasing the typefaces of Tobias Frere-Jones
Apres
A clear and comfortable typeface from David Berlow, with a humanist geometric design
One More Day for Text Display
The Font Bureau Showing at Lesley University ends April 19, 2014, at 5pm.
Custer RE
The tenth family in the Reading Edge series, by David Berlow: broad, approachable, exceptionally clear.
Mike Parker tribute
A tribute to Mike Parker, whom Matthew Carter calls “a most unforgettable person.” ➝ Fontbureau.com/MikeParker
Big Moore
Matthew Carter restores the authenticity of Isaac Moore’s 18th-century display face, in a design meant to be used, well, Big.
DISPLAY:TEXT Exhibition
Our exhibit of optimized type, DISPLAY:TEXT, at Lesley University with a public talk from Cyrus Highsmith.